Conference — 22 April 2026
Daniela Fugellie participated in the International Congress on Musical Lexicon in Spanish: Dictionaries, Press and Other Linguistic Corpora at the University of Salamanca, held between April 15 and 18. Along with Susan Campos (Costa Rica), she was invited to give the opening pres
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Sin categorizar — 21 April 2026
During the first period of the Center for Musical and Sound Cultures (CMUS), numerous academic publications were produced in indexed journals, and there was participation in various national and international conferences. Here we share the first part of those achievements. Last
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Conference — 8 April 2026
Today, the We Want More: Music / Sociology! International Conference began in Rotterdam, the Netherlands. On Friday, Carla Pinochet will present two papers. The director of CMUS will present a paper with researcher Sebastián Muñoz and then another with CMUS principal researcher L
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Sin categorizar — 6 April 2026
On December last year Egloga: Ciclo de canciones para voz, narración y guitarra was released. In this record Lorenzo Cornejo, put music to Pablo de Rokha's poetry. The Chilean guitar player and singer asked Christian Spencer to write the prlologue to it that comes as a physical
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Sin categorizar — 1 April 2026
In this new cycle of the Center for Musical and Sound Cultures (CMUS), Tomás Peters has joined as principal investigator. He is a sociologist, holds a Master's degree in Art Theory and History, and a PhD in Cultural Studies from Birkbeck, University of London. He is a professor i
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Sin categorizar — 20 March 2026
The call for papers for the 2nd Musicology Symposium ULagos 2026, "The Role of Communities in Musical Research and Creation," is now open. The symposium will take place on October 28 and 29, 2026, at the University of Los Lagos. Sponsored by CMUS, among other institutions, it see
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Sin categorizar — 16 March 2026
Laura Jordán will participate in the Casa de las Américas International Colloquium on Musicology today, March 16, in Havana. The CMUS researcher will present the paper “Cassette Archives: Home Recording and Community in Times of Dictatorship” at the panel “Archives: Research and
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Economies, industries and policies of culture — 13 March 2026
Next Thursday, March 19, Daniela Fugellie will participate in the seminar Interfaces: Drifts Between Digitality, Performing Arts, Music, and Archives. The seminar will explore the following questions: "How can we think about the performing arts in the age of data and digitality?
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Sin categorizar — 6 March 2026
On the eve of another International Women's Day, we highlight articles written by CMUS's senior researchers in their respective fields of study over the past few years. Here are a few examples. Carla Pinochet, deputy director of the Núcleo, published the article “The Vicious Ci
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Publications — 30 January 2026
The latest issue of Anuario Musical, from Argentina, is now available. In it, Daniela Fugellie published the article "From Maximum Rigor to Maximum Freedom: Serialism in the Teaching and Creation of the Latin American Center for Advanced Musical Studies (CLAEM) in Buenos Aires."
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Publications — 29 January 2026
The latest edition of the Revista Musical Chilena (Chilean Music Review) includes a dossier edited by Eileen Karmy and Javier Rodríguez, who served as research associates until December 2025. They wrote the introduction to the document. This dossier was the result of the working
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Sin categorizar — 27 January 2026
Daniela Fugellie and Daniel Party, principal investigators at CMUS, were awarded Fondecyt Regular grants. Fugellie, an academic at Alberto Hurtado University, was awarded a grant for her work "Canon, Translation and Resignification: Cultural Transformations of European Music in C
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